About

‘I use miniature scale to prompt childhood memories of naivety and innocence.’

Within Sarah’s practice, scale remains intimate, but her approach has evolved from densely cluttered miniature scenes to drawing with wire. Using line instead of mass, she creates delicate shapes and objects—most notably flowers and dogs—that exist between drawing and sculpture. These works continue to prompt childhood memories, holding onto naivety and innocence that often fade with adulthood.

Sarah’s work reflects on the permanence of memory and the absence left by time and loss. Family history remains firmly embedded within her practice, where emotions are not enclosed within small spaces but allowed to breathe. By capturing experiences through minimal, drawn forms, Sarah preserves fleeting moments while acknowledging that the memories they carry endure long after the moment has passed.

Through minimal wire drawings, Sarah allows memories to remain light, open, and enduring—held in line rather than confined by space.